We were thinking about the songs when we were writing the script, so some of those songs were there from the beginning. […] It kinda goes to what the heart of folk music is in a way […]There were people obviously writing songs and singing them before Bob Dylan showed up, but the era of the singer-songwriter, there was sort of a pivot happening around then in terms of traditional folk music and people who were writing their own stuff, and Dylan was one of the big catalysts of that. And there was also a sort of obsession with “authenticity” with traditional music, something that early folk people were very concerned with, which was something that had interesting and ironic aspects. That was also something that was interesting to us. - Joel Coen

We were thinking about the songs when we were writing the script, so some of those songs were there from the beginning. […] It kinda goes to what the heart of folk music is in a way […]There were people obviously writing songs and singing them before Bob Dylan showed up, but the era of the singer-songwriter, there was sort of a pivot happening around then in terms of traditional folk music and people who were writing their own stuff, and Dylan was one of the big catalysts of that. And there was also a sort of obsession with “authenticity” with traditional music, something that early folk people were very concerned with, which was something that had interesting and ironic aspects. That was also something that was interesting to us. - Joel Coen

We were thinking about the songs when we were writing the script, so some of those songs were there from the beginning. […] It kinda goes to what the heart of folk music is in a way […]There were people obviously writing songs and singing them before Bob Dylan showed up, but the era of the singer-songwriter, there was sort of a pivot happening around then in terms of traditional folk music and people who were writing their own stuff, and Dylan was one of the big catalysts of that. And there was also a sort of obsession with “authenticity” with traditional music, something that early folk people were very concerned with, which was something that had interesting and ironic aspects. That was also something that was interesting to us. - Joel Coen

We were thinking about the songs when we were writing the script, so some of those songs were there from the beginning. […] It kinda goes to what the heart of folk music is in a way […]There were people obviously writing songs and singing them before Bob Dylan showed up, but the era of the singer-songwriter, there was sort of a pivot happening around then in terms of traditional folk music and people who were writing their own stuff, and Dylan was one of the big catalysts of that. And there was also a sort of obsession with “authenticity” with traditional music, something that early folk people were very concerned with, which was something that had interesting and ironic aspects. That was also something that was interesting to us. - Joel Coen

We were thinking about the songs when we were writing the script, so some of those songs were there from the beginning. […] It kinda goes to what the heart of folk music is in a way […]There were people obviously writing songs and singing them before Bob Dylan showed up, but the era of the singer-songwriter, there was sort of a pivot happening around then in terms of traditional folk music and people who were writing their own stuff, and Dylan was one of the big catalysts of that. And there was also a sort of obsession with “authenticity” with traditional music, something that early folk people were very concerned with, which was something that had interesting and ironic aspects. That was also something that was interesting to us. - Joel Coen

We were thinking about the songs when we were writing the script, so some of those songs were there from the beginning. […] It kinda goes to what the heart of folk music is in a way […]There were people obviously writing songs and singing them before Bob Dylan showed up, but the era of the singer-songwriter, there was sort of a pivot happening around then in terms of traditional folk music and people who were writing their own stuff, and Dylan was one of the big catalysts of that. And there was also a sort of obsession with “authenticity” with traditional music, something that early folk people were very concerned with, which was something that had interesting and ironic aspects. That was also something that was interesting to us. - Joel Coen

We were thinking about the songs when we were writing the script, so some of those songs were there from the beginning. […] It kinda goes to what the heart of folk music is in a way […]There were people obviously writing songs and singing them before Bob Dylan showed up, but the era of the singer-songwriter, there was sort of a pivot happening around then in terms of traditional folk music and people who were writing their own stuff, and Dylan was one of the big catalysts of that. And there was also a sort of obsession with “authenticity” with traditional music, something that early folk people were very concerned with, which was something that had interesting and ironic aspects. That was also something that was interesting to us. - Joel Coen

(via solsticiodeverano)

communicants:

Chungking Express (Wong Kar-wai, 1994)
communicants:

Chungking Express (Wong Kar-wai, 1994)

communicants:

Chungking Express (Wong Kar-wai, 1994)

(via cinematografo)

dondororo:

dimma-don’t lose your way

(via xekx)


Pharrell on his time working at McDonald’s

Pharrell on his time working at McDonald’s

Pharrell on his time working at McDonald’s

Pharrell on his time working at McDonald’s

Pharrell on his time working at McDonald’s

(via dredsina)

De borrachos y pirámides.

artbooksnat:

Original animation layouts from the Hayao Miyazaki film The Wind Rises (風立ちぬ).
artbooksnat:

Original animation layouts from the Hayao Miyazaki film The Wind Rises (風立ちぬ).
artbooksnat:

Original animation layouts from the Hayao Miyazaki film The Wind Rises (風立ちぬ).
artbooksnat:

Original animation layouts from the Hayao Miyazaki film The Wind Rises (風立ちぬ).
artbooksnat:

Original animation layouts from the Hayao Miyazaki film The Wind Rises (風立ちぬ).

artbooksnat:

Original animation layouts from the Hayao Miyazaki film The Wind Rises (風立ちぬ).

(via wannabeanimator)


PLAYBOY: ¿Por qué le gusta llevar siempre la contraria?
BOLAÑO: Yo nunca llevo la contraria

Entrevista de Mónica Maristain para Playboy México 2003

PLAYBOY: ¿Por qué le gusta llevar siempre la contraria?

BOLAÑO: Yo nunca llevo la contraria

Entrevista de Mónica Maristain para Playboy México 2003


At this point, out of everything I can give you, this starry sky is the greatest.

At this point, out of everything I can give you, this starry sky is the greatest.

At this point, out of everything I can give you, this starry sky is the greatest.

At this point, out of everything I can give you, this starry sky is the greatest.

(via anicastes)

moviesincolor:

Request Week #11waltzedwithchristoph
Beginners, 2010
Cinematography: Kasper Tuxen

(via shygesture)

theofmoviestills:

The Maybe | Tilda Swinton | 2013
Courtesy of The Museum of Modern Art and with credit to somequeerdistortion. theofmoviestills:

The Maybe | Tilda Swinton | 2013
Courtesy of The Museum of Modern Art and with credit to somequeerdistortion.

theofmoviestills:

The Maybe | Tilda Swinton | 2013

Courtesy of The Museum of Modern Art and with credit to somequeerdistortion.